Saturday, June 23, 2012

FILM 3: Michelangelo/Marlow

• Who is Timothy Marlow? Why should we believe his story?
Timothy Marlow is a British writer, broadcaster, and most importantly a historian. He has done numerous broadcasts about the Great Artists and other series concerning art history. This gives him more credibility when talking about Michelangelo in this video, plus his charisma.

• Which painting do you like most by Michelangelo's why? How was it made?
What do you see first, second, third? Why? What is this painting about?
The ceiling of the Sistine Chapel, Creation. This painting is emblematic of its time and is stunning in its portrayal of God as a muscular Greek hero. This was a fresco, paint coupled with plaster so that the walls and ceilings themselves ARE the painting. I initially notice the nude male figure that God is reaching out to. He is the light figure against a darker background, bringing him to the foreground. Next I notice the depiction of God in his cloud/chariot reaching to the Earth to bring life. Finally, and most significantly, I notice the touching of the fingers between God and the nude male. This touching of the divine and mortal has the greatest impact of any other of his paintings. It breathes life into religion.  


• Why did this storyteller chose to use significant locations to tell parts of his
story? Which locations were the most effective and why?
Using powerful locations allows for a better understanding and stronger connection between the viewer and storyteller. In addition, there is a connection formed between Michelangelo and the viewer. Rome was by far the most effective location. It was/is the center of Catholicism, already creating a powerful image. When you combine the reputation and prestige of ROME with the beauty of Michelangelo's paintings in the Sistine Chapel; the result is an overwhelming feeling of awe.

• Ask a New Question for others to discuss next week
Although a wonderfully talented painter, Michelangelo was predominantly a sculptor. In your opinion, should Michelangelo's paintings be placed on the same level as such masters as DaVinci?

1 comment:

  1. Michelangelo's paintings should be up there with DaVinci's because he shows a true uniqueness to studying the human body and art and form.

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